Critical Analysis of Cinematography in the Film "Fargo"

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Critical Analysis of Cinematography in the Film "Fargo" essay
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Fargo (1996) is a dark comedy crime which was coordinated by Joel Coen and Ethan Coen otherwise called The Coen Brothers. The opening of the film alone says “THIS IS A TRUE STORY. The events depicted in this film took place in Minnesota in 1987. At the request of the survivors, the names have been changed. Out of respect for the dead, the rest has been told exactly as it occurred.” Coen siblings truly investigate into various classifications, dominatingly, wrongdoing spine-chiller. The expressions of the opening of this film, might it be able to be a device for the group of onlookers to really trust this depends on a genuine story? Could it be a trap for the audience? This story is about the fundamental character Jerry Lundergaard (William H.Macy), a car salesman in Minneapolis, a city in Minnesota, who faces budgetary issues.

To determine this issue, he participates close by with two ruffians name Gaear (Peter Stormare) and Carl (Steve Buscemi) and plans on crime which is to seize his own significant other, Jean (Kristin Rudrud). Jerry discloses to them that the payoff cash will be $80,000 to be part down in the middle of them. At the wind, Jerry needs to drop the entire abduct plan when Wade (Harve Presnell), his father in law may give $750,000 to a parki ng area venture. Lamentably, Jerry has no real way to contact the criminals to cancel the hijack plan consequently, Jean will be abducted by Carl and Gaear. Marge Gunderson (Frances McDormand), pregnant police looks at a wrongdoing scene which brought about by Gaear and Carl. Amid the pre-peak, Gaear slaughters Carl for contending about he gets the chance to keep the vehicle as he went out on a limb than Gaear. Marge finds the Sierra by the lodge in the forested areas and got Gaear stuffing Carl's body into a wood chipper and captures Gaear later on. Jerry will likewise get captured by police in a motel. At the peak, Marge and her better half Norm (John Carroll Lynch), on the bed discussing Norm's artistic creation of a mallard duck was picked on a three-penny stamp however he said that very few individuals would utilize a three-penny stamp. Marge says 'it's terrific, I am so proud of you Norm!' Norm putting his hand on Marge's pregnant belly saying 'two more months'. Throughout this film analysis, we will be discussing crucial scenes, mise en scene (wardrobe and performance) and cinematography.


What is cinematography? Cinematography is photographing of the movie itself. Roger Deakins, the cinematographer of Fargo itself said this “When you move the camera, or you do a shot like the crane down (in Shawshank) with them standing on the edge of the roof, then it ’s got to mean something. You’ve got to know why you’re doing it; it’s got to be for a reason within the story, and to further the story.” (Roger Deakins) (A-Z Quotes, 2019)

High Angle Shot

This shot comes amid the scene when Jerry goes to meet Wade and Stan in Wade's office. Directly in the wake of talking about genuinely Jerry's finder's fee, tragic Jerry strolls to his vehicle on snow. This is the shot. This shot was taken from a top point and in this shot, denotatively, we can see Jerry, his vehicle, snow and some embellishing plants secured with snow. The concealed implying that can be deduced in this shot is that Jerry has been disconnected, feeling dismal after his father in law said he can't give him $750,000 with no confirmation. Pitiful, frustrated Jerry strolls back to his vehicle.

Crucial Scenes

Scenes are really the grouping of the film. A film is altogether comprised of the scenes taken and joint together. There are sure significant scenes that need to focus on as these scenes are really the spots of the whole plot of the film.

Jean's Abduction

Carl and Gaear broke into the Lundegaard's residence while Jean is watching a TV program and knitting. This whole scene is really amusing and strained in the meantime. Clever it is a result of the ungainly conduct of Jean as she is in a frenzy mode when she experiences with the criminals, Carl and Gaear. Out of dread, she acted cumbersomely. When she has seen Carl breaks the window, she shouts and keep running close to the passage of the house and saw Gaear drew nearer towards her and got her. After she bit Gaear's hand, she ran upstairs to her room, took her phone and secured herself in the restroom subsequently attempting to call for assistance. Lamentably, the phone wire was still outside of the restroom entryway and it was hauled out. Jean endeavors to escape through the restroom window. Here is where there is shrouded importance of the window. While Jean endeavored to call for assistance utilizing the phone, this shot is a medium close up shot. In this shot, the window at the back of Jean, the window blinds are speaking to the odds of covering of Jean from the kidnappers and the window is representing Jean. The window blinds are 3/4 open demonstrating that the odds of her getting kidnapped are actually high.

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As Carl and Gaear on their way in the wake of kidnapping Jean, the experience with a police officer out and about. The police officer pursued their car as a result of no number of car plates connected to the back of the car, Carl pulled over at the sideway of the street. While hanging tight for the police officer, Carl disclosed to Gaear that he will take care of this issue. When he said that, there's a light puncturing through just at Carl's eyes. Those eyes are really endeavoring to persuade angry Gaear to not to do anything including brutality to keep away from an unpleasant circumstance as they have Jean at the back traveler situate. The police officer asked Carl to demonstrate his license and registration. Carl as he took out his wallet rather than his license alone, his goal was to fix the cop as he demonstrated his wallet with $50 appearing from the cash opening of his wallet yet the genuine police officer guided him to return his wallet and solicited Carl to venture out from the car. Gaear pulled the officer and shot him on the head.

Yanagita's Deceiving Words

This scene happens when Marge meets her old schoolmate Mike Yanagita (Steve Park). In this get- together scene of these the two characters, Mike attempts to the sentiment with Marge. Mike discloses to Marge that he was hitched to Linda and shockingly she passes on from leukemia. Mike begins blasting out and saying to Marge that he is all desolate and Marge begins feeling compassion toward him. The following day she becomes more acquainted with from another companion of her that each one of those words Mike told Marge was a harmless exaggeration. This is when Marge clicked that Jerry could be lying too amid her first cross-examination with him thus she goes to investigate him for the second time.

What Goes Around Comes Around!

In light of the heading above, there are two scenes to be given close consideration to that is identified with Gaear. Gaear shoots down a red sweater more peculiar who saw Carl clearing up the police officer's dead body and Gaear in the car. Amid the pre-climax, Marge captures Gaear by shooting him underneath his knee as Gaear endeavors to escape from Marge's custody. It demonstrates that what Gaear has done before to stay away from pointless issues after him shooting the police officer, something very similar transpired by the day's end aside from he is alive rather than dead. Karma is a boomerang after all! Highway Shootout In the wake of shooting the police officer on the head, Gaear asks Carl to clear the officer's body. While Carl is conveying the police officer's body back to the patrol car, another car on the other way comes towards Gaear and Carl. As the other car passes by, they saw what had happened in this way accelerates their car. Gaear changes from the traveler seat to the driver seat to pursue down the other car. At last, he saw the car topsy turvy at the sideway of the interstate. The more peculiar who wore a red sweater endeavor to escape from Gaear yet Gaear shot him down as he attempts to flee. Gaear's Arrest Marge, at last, finds the Sierra at the cabin by the lake. She gets down from her car and drew nearer towards Gaear with a gun in her grasp and saw Gaear, whom she discovers stuffing Carl's leg into a wood chipper. She yelled 'police' while pointing the gun towards Gaear's bearing. Subsequent to yelling 'police' for the third time and signaling to her identification on top that she wore, froze Gaear tossed a tree wood towards Marge and attempts to escape away. Luckily for Marge, she figured out how to capture him at the second shot from her firearm that the slug hit Gaear on his leg subsequently he tumbled down. It was nearly the equivalent of what he did beforehand to the red sweater fellow, however, in the long run, he kicks the bucket, this time Gaear was alive yet he got captured for what he has done.

Mise En Scene

Mise en scene is the essentials that have been used in the filmmaking process itself from the aspects of lighting, decor, props, setting, performance, and costume /make-up predominantly. There is a saying by Bruno Dumont, 'The landscape is a reflection of the inner life. Since I can't shoot the inner life, all I can shoot is the exterior but I know that when I'm filming outside, I'm filming inside. I can only really touch the inside through the mise-en-scene. So through the mise-en-scene of the outside, we can explore the inside.' (A-Z Quotes, 2013)

Wardrobe Jean Lundegaard

This character is one reason that this film has the wind in the plot. Jean is a blameless character that she has no clue about her entire kidnap plan was at first arranged by her very own spouse, Jerry. Her ensemble in this film generally is exquisite. The most significant part is the point at which she was abducted by the kidnappers. She wore pink pajamas, pink home shoes and a dull pink sewed sweater on top. The shading pink is speaking to her feminine, guiltlessness, and fear. 11 - The clothes she wore when she was about to get kidnap. The Coen Brothers are truly keen at catching the gatherings of people's consideration. Right before the BLUE OX Motel scene, the statue of Paul Bunyan appeared. The statue has an axe on the left hand. Directly before the pre-peak scene, Gaear spruced up practically like the statue and has an axe on his hand thus he slaughters Carl as he left from the cabin subsequent to contending on who gets the chance to keep the car from the ransom of the abduction of Jean.

Action and Performance Kings Of Club (Opening Scene)

Jerry is both hero (in the sense of his motivation during the narrative) and nemesis (as the orchestrator of the kidnapping). (An Analysis of the Opening of Fargo, n.d.). He is the ones behind the entire issue of Jean's abduction. His exhibitions are realistic to the point that can make the group of onlookers to really amazement by his outward appearances. The opening scene, Jerry arrived late in the Kings of Club where the meeting occurred among him and Carl and Gaear to plot the kidnap plan for Jean. As Carl said they were apparently meet at 7.30pm, Jerry with a disarray look said Shep disclosed to him it was 8.30pm. Jerry plunked down with Carl and Gaear and with that influential tone and outward appearance, he was conversing with them with the expectation of Carl and Gaear would continue to execute the kidnapping plan. At the point when Carl got some information about the $40,000 as Jerry was going to give him the brand new vehicle keys, Jerry clarified that the $40,000 will be from the ransom cash. Jerry was attempting to persuade both Carl and Gaear as Carl emerges inquiries regarding his very own significant other needing to be abducted. All Jerry did was faltering, he maintained a strategic distance from eye to eye connection while noting them in the wake of being addressed on why not straight away ask cash from his father in law, Wade or his spouse, Jean.

Fake Phone Call

As Jerry arrived home with groceries, he calls out for Jean (not realizing she was at that point kidnapped by Carl and Gaear). Jerry went up to the stairs to the washroom, saw the untidy restroom and living room thus he definitely realized that she was kidnapped by Carl and Gaear. This is the place he started to counterfeit himself after being dismal as Jean got kidnapped. He rehearsed his voice tone and discourse before he really calls Wade to inform him about Jean's kidnapping. The tone of his voice wasn't generally appearing genuine lament as his wife got abducted. As he really dialed for Wade, he talked in a typical tone.


All in all, to make a film, it takes a whole group from various divisions to cooperate. With content alone, a film can't be shot. It requires cinematography basically, mise-en-scene to make the state of mind for the scenes to be shoot. Fargo is one of the movies that required loads of consideration regarding make certain of no oversights are so recognizable by the group of onlookers. It requires loads of investment and exertion to give such an extraordinary result to the eyes of the groups of onlookers. In 1997, Fargo won Oscar awards for two classes which are Best Actress in Leading Role and Best Writing, Screenplay Written Directly for the screen.

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Expert Review
The essay provides a detailed analysis of the film Fargo (1996), focusing on its cinematography, crucial scenes, and mise-en-scene. The writer discusses specific scenes and their hidden meanings, as well as the wardrobe and performances of the characters. The analysis is supported by quotes from the cinematographer and director, which adds credibility to the essay. The essay also concludes by emphasizing the collaborative effort required to create a film and mentions the Oscar awards won by Fargo. Overall, the analysis is well-structured and provides a thorough examination of the film.
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What can be improved
The essay could benefit from a more cohesive introduction and conclusion. The introduction could provide a brief overview of the film and its significance before diving into the analysis. The conclusion could summarize the main points and insights from the analysis and provide a more definitive closing statement. Additionally, the essay could benefit from a stronger thesis statement or central argument to guide the analysis and provide a clear focus for the reader.
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