Fragmentation is further established in the Dutch National Theatre’s portrayal of Les Contes d’Hoffman. In Stella’s final scene, she is nowhere to be found. Instead director, Tobias Kratzer has Olympia, Antonia, and Guiletta all sing her final lines. The mix of the voices demonstrate Hoffmann’s...
The Uncanny Freudian notion explores and questions comfort, the place the acquainted turns into foreign and frightening. Although he would possibly not have intended it to be funny, Freud amusingly makes hyperlinks to The Uncanny by using references to the female genitals, as it is...
Writing Frankenstein, Mary Shelley wished to “speak to the mysterious fears of our nature, and awaken thrilling horror”; Sigmund Freud mentioned similar concepts of mysterious horror in The Interpretation of Dreams and The Uncanny. As the gothic psychological horror unfolds, elements of Freudian ideas such...
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