The Filmmaking Space in the Amusement Parks

The evolution of the entertainment industry has enhanced the use of different styles in scripting to get the best language for the audience. Dynamics of urban settings have been used in different ways to accommodate the script of films and, as such, get the best information for the audience. Various techniques can be used in the control of modalities to get the themes out of the spaces in the films. Scholars get the connection between the language of the scripted space and the theme intended for the movie (Gottdiener, 1997). Additionally, the audience watching the film interprets the different disciplines, including art and architecture, using the scripted space in the film. This paper seeks to discuss the relationship between concepts of theme parks, mediated environments, and scripted spaces in movie making. In the study, the case study of Disneyland theme park is used in establishing how theme parks are useful in the film industry. Also, the paper discusses the relationship between filmic experience and the theme park connection using Disneyland theme park as the center of focus in the comparison. Other concepts the study looks into including the strategy of scripted space and how urban planning has adapted to the theme parking into the scripted spaces.

Contemporary Theme Park’s Connection With Past Media Spaces

The theme parks in contemporary society have been developed in a way that connects to the available media spaces. The designers are using technology to improve the theme parks in a way that would affect the world positively and in all sectors, including social, economic, and political ideas (Mitrasinovic, 2016). Future needs and, as such, influence the construction of theme parks, are symbolically constructed to fit into such needs. The development of such amusement parks considers the social and historical conditions in the media space to get the most strategic ways of constructing the parks. Disneyland has social attraction sites that assist in establishing it as an appropriate theme park. Shopping malls and fitted sections meant to attract children are fitted in all sections of the Disneyland (Bryman, 1999) It is through the social consideration that includes the design as a scripted place for film making. The construction of the theme parks connects with the media spaces in a way that would impact socially in the social space.

The design and construction of the theme parks are increasingly becoming specialized for the specific functions they are intended. The structures and the attraction of the scripted spaces in the theme parks are designed to communicate different aspects in the event a film is made in such areas. The intricate design of the parks should revolve around specific subjects that would effectively assist the scriptwriters in communicating themes within the movie (Jay and Richard, 1999). As opposed to the past media spaces, the contemporary scripted spaces are conceived before the construction process. For instance, the earlier constructed theme parks in readiness for the modern society like the Disney land and the Santa Claus land were due to operate as recreation and picnic areas. Disneyland was constructed as an amusement park but the place has since initiated different functions turning it into a theme park (Weinstein, 1992). As a result, the filmmakers intending to use such areas in the films can, as such, use them concerning communicating the recreation aspect in the films.

The modern parks are constructed to help in the promotion of the entertainment industry. The enclosed areas can assist in the promotion of filmmakers. The design of the parks is made not only to give thrill and entertainment but also communicate the subject the filmmaker intends to develop into the system (Scott, 2008). Film makers have successfully used the Disneyland to produce films of subjects involving kids. Film makers use theme and the setting for the kids to express the ideas that would be most interesting to kids. Similarly, the naming of the film theme would equally add to the understanding of the intention of the filmmaker. As a result, there are theme parks explicitly made with the functions designed in during the construction. For example, there are educational themed parks that would assist in the promotion of the education areas of study. Equally, the family-themed parks mostly drawn out of the traditional parks are also assisting in the development of the family topics in the process. Furthermore, regional parks can also be of use in the writing of the setting of the movies. The media space takes into consideration the use and subject areas in the design of the theme parks.

How Theme Park Is Connected To an Extended Filmic Experience

The role of the theme parks in the film making process is immense as it assists in giving out the ultimate experience to the audience. As a result, the producer should make use of the right theme park or develop a scripted space with the aid of technology. The theme parks are useful in getting to create a magical imagination on the customers to get the best experience while watching (Angela, 2012). Innovation in the film making process would, as such, be critical in getting to develop a theme in the theme park that would give the customers an ultimate experience.

The evolution of theme parks over the years has deliberately contributed to the development of the film making process. The setting of the theme parks aided through the latest technology improves on the experience of the consumers of the movies. The advanced technology in society today changes the theatre and provides a high tech multi-media experience to give the audience with a high level of immersion and entertainment. Technology enhances the already developed parks to provide a much needed audio-visual setting that would give away the best experience for the audience through that which it communicates.

One of the popular ways of improving the experience of the audience would be to use the theme parks and the scripted spaces to deliver authentic actions. For instance, the scripted spaces and the theme parks are offering the film-based rides that would transport the characters to different parts of the world within the film. As a result, the audience would equally travel along with the characters and giving out the feeling of existence within the movie. Using scenes like falls would offer the sense of a beautiful view and the spirit of fanning water to the people watching. The use of such regions aims to provide the much-needed fantasies that would give the best thrill to the audience. The contemporary film making process heavily relies on the theme parks along with the technological advances to provide a unique digital experience for the people watching the movies.

The advanced digital haze around the theme parks and the scripted spaces are influenced by the need to improve on the customer experience. While the theme parks provide the idea of the expectation of the audience, the development of the contemporary parks fitted with technological gadgets is increasingly becoming popular to enhance the experiences like raising adrenaline, intimacy, and generally offer the best form of entertainment. The technology can be used in shaping the design of the parks to help communicate the intentions of the producer. Technology gets out a distraction that would, as such, get the best scenes and increase the participation in the event in the film. The development of theme parks has been instrumental in improving the experience of consumers in the process.

The Strategy of Scripted Space in Theme Parks Connection To Media Spaces

The filmmakers are increasingly using the scripted space strategy to get the best out of the media spaces. The audience of the movie is having a desire while watching the film. In the desire, they run through fantasy to get something out of the world through the use of the film. The desire of the film audience is influenced by the social mechanics and perception of how they consume different issues (Hertz and Pamela, 1996). As a result, the desire would inform the need to develop a space that meets the objective of the space. The producers, as such, design the areas like theme parks into what they expect to use in the script. Scripted space strategy is the use of such designed placed to produce films. In such areas, the language of film making is written to keep such areas secure and to meet the purpose of the scripting. Fantasy, visual items and performance-based technology are associated with such scripted spaces.

The filmmakers should connect and control the scripted spaces to fit the media spaces and meet the objectives of the film, making the process. The producer identifies the feelings needed depending on the story of the film. As a result, the use the strategies like decoding, technology, overcoding, and displays to help in getting the setting into what is expected as the subject. The control of the language of film making is meant to assist in the process of getting the right feelings out of the film (Alan, 1997). Additionally, the producer looks to ensure the control of the system does not do away with the much-needed fantasy in the movie-making process.

The design of the scripted spaces can be useful in getting to connect the fil with the media spaces available. The measure of the area and the designated area for shooting the film should consider the dimensions of the film (Durrant et al., 2011). Additionally, the filmmakers would have to get impressive displays that would have unique effects on the theme of the park. The additional results should also get to improve on the fantasy of the audience. Selected items and the colors should be useful in getting to design the area to meet the objectives of the film. Each action on the media space should be deliberate to ensure they meet the scripting of the space. The choice of the theme parks must be able to meet the script of the film.

How Urban Planning Has Adapted The Theme Park Logic Into Its Spaces

Planners of different cities have recognized the benefits movies get to the marketing of the urban centers. As a result, there is an increasing trend in the planning of the cities that have included various environments for the shooting of films to the benefits of the cities. Green and open spaces included in the urban settings get the node of the filmmakers to get through themes in cinema. The planning of an urban center should as such, include the scripted spaces like lakeshores, public gardens, and parks that can be used as theme parks in the making of the films (Christian & Soren, 2011). The planning of the urban centers should as such, include the development of the spaces that can effectively be used in film making to enhance the filmic experience.

The 21st century has seen the evolution of filmic spaces across the globe. For instance, the scripted spaces and mediated environments are increasingly designed to be away from residential areas. Also, the location of such spaces considers the social aspects like the population distribution. Most themed parks are kept out of the periphery of the urban centers to allow them to serve the purpose of scripting and shooting of films that would get out the best out of the intended themes (Brian, 2009). In such periphery areas, there is a low population density that would interfere with the process of shooting out such films. The overcrowding in the city centers prevents the accessibility of the theme parks and as such, not ideal in setting up such parks. The designers of the urban centers in contemporary society should consider the proximity of the mediated spaces in the planning and as part of the policy framework.

Conclusion

In conclusion, the film making process is a critical process in the development of the film making should significantly consider the experience of the audience. The development of contemporary parks should be in line with familiar themes in the future. The scripted space strategy is useful, adding to the experience of the audience as it elicits the feeling of fantasy in the audience. Additionally, the study has established the development of the urban centers aim at leaving the periphery of the cities for use as theme parks. Film making process makes use of the scripted space strategy which essentially sets the stage for the film experience.